Description
Triumph of the Will (Triumph des Willens) is
a filmed record of the 1934 Nazi Party Convention, in Nuremberg. No, it
is more than just a record: it is an exultation of Adolf Hitler, who
from the moment his plane descends from Valhalla-like clouds is visually
characterized as a God on Earth. The “Jewish question” is disposed of
with a few fleeting closeups; filmmaker Leni Riefenstahl prefers to
concentrate on cheering crowds, precision marching, military bands, and
Hitler’s climactic speech, all orchestrated, choreographed and
illuminated on a scale that makes Griffith and DeMille look like
poverty-row directors.
It has been alleged that
the climactic rally, “spontaneous” Sieg-Heils and all, was pre-planned
according to Riefenstahl’s specifications, the better to take full
advantage of its cinematic potential.
Allegedly,
propaganda minister Joseph Goebbels resented the presence and intrusion
of a woman director, but finally had to admit that her images, achieved
through the use of 30 cameras and 120 assistants, were worth a thousand
speeches. Possibly the most powerful propaganda film ever made,
Triumph
of the Will is also, in retrospect, one of the most horrifying.
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